论当代生态电影批评的建构维度及其发展趋向

On the dimension of construction and the trend of development of contemporary ecocinema criticism

当代西方生态电影批评既来自生态批评、文学批评、文化研究、美学和电影学等学科的支撑和经验积淀,同时也在建构自身体系的过程中不断开拓和突破,呈现出对电影生态和整个人类文化发展态势的自觉关注,显示出极大的活力。在剖析西方生态电影批评发展历程的基础上,面对当下中国生态电影批评研究纷繁错杂、缺乏体系的状况,对当代生态电影批评理论资源的梳理,以及对其建构维度、发展趋向的考察,皆能为夯实中国生态电影批评的基础及进一步建设具有当代性的理论话语提供一定的参照。

The contemporary Western ecocinema criticism has depended on the support of disciplines and accumulated experiences from ecological criticism, literary criticism, cultural studies, aesthetics, filmology, etc. , as well as has blazed new trails and made continuous breakthroughs in the process of constructing its own system, thus presenting a conscious focus on movie ecology and development trend of the whole human cultural undertakings with great vitality. In response to the current Chinese ecocinema criticism which is characterized as messy and unsystematic, the article will provide references for laying a solid foundation for Chinese ecocinema criticism as well as furthering the construction of contemporary theoretical discourses, by combing theoretical resources of contemporary ecocinema criticism and investigating the dimensions of its construction along with the trend of its development.