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1950-70年代社会主义文学中的海洋书写 被引量:2

The Ocean Writing in Socialist Literature of the 1950s-70s
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摘要 海洋不断参与现代中国的自我建构,这在1950-70年代的社会主义文学中也不例外。革命中国在新的境遇和矛盾中建构与海洋的关系,创生新的海洋意识,并与"五四"以来的文化精神相交织,使这时期文学中的海洋书写呈现特殊意味。"五四"精神与革命美学、被压抑的个体表达与激进的集体言说、面向世界的战斗意识与新中国的全球想象互相交织,在多重的海洋书写中映现着时代的面影,也体现了海洋在新中国自我想象和建构中所发挥的独特意义。 The ocean has always been involved in the self-construction of modern China, and there is no exception in the socialist literature of the 1950s-70s when revolutionary China set up its relationship with the ocean, initiated its new maritime awareness and interconnected with the cultural spirit since the May 4th Movement, thus injecting some special significance into the ocean writing in the literature of that period. The interconnection between the May 4th Movement spirit and revolutionary aesthetics, between the repressed individual expression and the radical collective discourse, and between the world-oriented combat consciousness and the global imagination of New China is reflective of the image of the epoch as well as of the unique significance of the ocean in the self-imagination and construction of New China.
作者 彭松
出处 《海南师范大学学报(社会科学版)》 2017年第2期41-47,共7页 Journal of Hainan Normal University(Social Sciences)
基金 江苏省高校哲社研究项目"20世纪中国海洋文学研究"(项目编号:2013SJB750012)
关键词 1950-70年代 海洋书写 “五四”话语 革命美学 宏大象征 the 1950s-70s ocean writing May 4th discourse revolutionary aesthetics grand symbols
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