摘要
郭志鸿的《云南民歌五首》是我国改革开放后诞生的重要钢琴新作之一。沉寂10余年的钢琴创作乐坛,迫切需要一批内容和形式既有民族特色又有突破创新的作品。而作曲家的《云南民歌五首》,可堪称这其中的代表作。作品依托云南少数民族经典传统民歌素材,在创新内容和艺术表现形式等方面,用钢琴化的音乐语言为听众作了极好诠释。
Five Folk Songs of Yunnan Province is one of the most significant piano pieces since China＇s reform and opening up. Given that the piano composition has been gloomy for more than ten years, piano pieces which are ethical and innovative in both content and form are extremely needed. Among them, Five Folk Songs of Yunnan Province is counted as one of the master works due to its extensive collection of classic and traditional folk songs of Yunnan minorities and its superb piano performance with original content and innovative forms of art representation
出处
《曲靖师范学院学报》
2017年第2期110-115,共6页
Journal of Qujing Normal University
基金
云南省哲学社会科学规划课题"云南民歌创编钢琴曲研究"(QN2013064)
云南省教育厅科研基金重点项目"云南民歌创编钢琴曲研究"(2013Z094)
关键词
钢琴曲
作曲技术
郭志鸿
《云南民歌五首》
本体研究
piano piece
skills of composition
Guo Zhihong
Five Folk Songs of Yunnan Province
ontology research
