西南剧展中的非审美表演研究

Research on the Non-aesthetic Performances in The 1^(st) Drama Exhibition of Southwestern China

在人类表演学的视域下,西南剧展的非审美表演可分为大众表演、社会表演及仪式表演等,形式丰富,表演氛围融洽,体现了现代会展正面的形象。仪式起到传递信息、沟通感情、协调关系、规范行为、自我教育、产生集体认同感与凝聚力等作用,仪式表演肯定既有秩序,表明国家和民族意识的强烈存在,契合团结抗战的主题。各种非审美表演印证了西南剧展是抗日统一战线之下国共合作的范例,体现了国家精神的凝聚与民族文化的传承。

From the perspective of anthropological performance studies, non-aesthetic performances of the 1st Drama Exhibition of Southwestern China can be divided into public performance, social perform- ance and ritual performance, with rich forms of performing and harmonious atmosphere, which embodies the positive image of modern exhibition. The ritual plays a role of information transmitting, feeling com- munication, relation coordination, behavior regulation, self education, collective identity and cohesion, etc.. Ritual performance affirms the existing order, indicating the strong presence of state and national con- sciousness in accordance with the theme of unifying and fighting against the Japanese invaders. Various non-aesthetic performances confirm the 1st Drama Exhibition of Southwestern China as the paradigm of KMT-CCP Cooperation under the United Front of Counter-Japanese Invaders, which embodies the cohesion of state spirit and the inheritance of national culture.