摘要
鲍照在大明、泰始年间的作品,从题材上来看,相较于元嘉时期,讽谏诗增多,歌功颂德诗较少。同种题材,诗人的创作心态亦有所变化。鲍照亦加入了新题材的创作。鲍照诗作变化体现了为情性服务、用事力避生硬堆垛、吸收民歌的语言等方面。而从鲍照前后期乐府中汉魏古题与南朝新曲的比例来看,鲍照在大明、泰始年间对于晋宋民间乐府的吸收程度是有所增加。这些都会影响到鲍照诗作题材、意象、艺术手法的选择等。鲍照在文学史中具有上承元嘉、下启永明的作用。
This study compares the works of Bao Zhao during Yuanjia with those of Darning and Taishi. There were some changes in the aspect of poetic subject. As time goes by, we witness more poems of ironic remonstrance rather than eulogy. In spite of the same situation, Bao Zhao changed his way of thinking. Also, he added some new subjects. In these changes, he tried to write out more of his inner feelings, and he used less allusions and extracted more from bal- lads. According to the proportions of the ancient poems like Han and Wei versus the new Songs in the Southern Dynas- ties, Baozhao' s absorption of Jin' s and Song' s Yuefu enhanced. These differences will affect the choices of subjects, poetic images and artistic methods. Bao Zhao' s poetic style was influenced by Darning and Taisha' s literature changes when vulgarity was popular. Moreover, he needed to meet the aesthetic taste of Emperor Xiaowu. Furthermore, he must pretend to be less talented than Emperor Xiaowu to protect him from being killed. This study would like to rediscover Bao Zhao' s role in the history of literature, which is transitional and influential.
出处
《沈阳师范大学学报(社会科学版)》
2017年第2期98-101,共4页
Journal of Shenyang Normal University(Social Science Edition)
基金
国家社会科学基金重大项目(15ZDB071)
关键词
鲍照
诗风嬗变
承上启下
Bao Zhao
changes of poetic style
connection between the preceding and the following