世俗愿望的神圣表达——《盘王大歌》仪式行为研究

The Sacred Expression of Secular Desires:A Study on Ritual Behavior of Panwang Chorus

《盘王大歌》是瑶族"还盘王愿"的重要组成部分,唱《盘王大歌》既是通过文本(口头的或书面的)的语词意义对宇宙、人类、族群来源等本体性问题的集体追忆,也是宗教实践与宗教行为。筵席的排布、仪程的有序推进等事项是瑶人在对灾难的集体记忆与渴望回复秩序心理支配下的行为。师公在仪式中充当主持人的角色,担负着组织仪式与沟通人神等功能,阴话喃词等异于凡常的声腔以及法器的使用有助于展示其在仪式中的交流能力。演唱禁忌既是对仪式的规范,也是师公们对自己知识体系的保护。童女的选用与演唱则是古老的生殖崇拜意识的遗留,是对人力与食物渴求的象征性表达。

Panwang Chorus is an important part of Yao＇s Huan Pan Wang Yuan,Sing Panwang chorus is not only Collective recall through the text （oral or written） tmeaning of words and phrases on the problem of the body of universe, human, ethnic origin, but also a religious behavior and practice. Feast of the arrangement, Orderly process of ritual proce- dure and other matters is religious behavior under the psychological control of Yao people in the collective memory of the disaster and eager to restore order. ShiGong act as the host of the role in ritual, charged with organization of ritual and communication between the people of God,The use of unusual tunes,such as the words of the underworld and murmur, and instruments can help to show the ability to communicate in the ritual. The taboo of singing is not only the norm of the ceremony, but also their protection of their own knowledge system： The virgin＇s selection is remains on ancient the aware- ness of reproductive worship, is also a symbolic exoression of the oooulation and food desire.