“内部的构造”:从少数民族文学到多民族文学

The Internal Construction:From Minority Literature to Multi-Ethnic Literature

在新世纪以来的少数民族文学学科史中,"多民族文学"无疑是学科内最重要的理论关键词。从少数民族文学到多民族文学,命名的变换带来的不仅是词汇前缀的变更,更体现了学科的范式转移和观念更新。"多民族文学"蕴含的理论能量不可小觑,因此就更有必要对此一概念的来龙去脉以及它产生的意义进行考察和分析。将"多民族文学"重新放回少数民族文学学科的历史脉络与文化场域是一种有效的方法,通过与当代少数民族文学的各种议题进行对话和互动,"多民族文学"的理论意义与历史意义被凸显出来。而"内部的构造"的提出,则是对"多民族文学"进行新一轮理论建构的尝试。

In the history of ethnic literature since the new century, ＂multi-ethnic litera- ture＂ is undoubtedly the most important theoretical key word in the discipline. From the ethnic literature to the multi-ethnic literature, the change of naming not only brings about the change of lexical prefLx, but also leads to the transfer of paradigm and the renewal of concept. ＂Multi-ethnic literature＂ contains the theoretical energy, which cannot be over- looked, and it is necessary to investigate and analyze the origin of the concept and its sig- nificance. It is an effective method to put ＂multi-ethnic literature＂ back into the historical context and cultural field of ethnic literature. Through the dialogue and interaction with va- rious issues of contemporary ethnic literature, the theoretical significance and historical sig- nificance of ＂multi-ethnic literature＂ have been highlighted. And the proposal of the ＂inter- hal structure＂ is an attempt to reconstruct ＂multi-ethnic literature＂ theoretically.