比较文学视域下竹枝词中的云南少数民族形象书写

The Writing of Yunnan Minority Image in Zhuzhici from the Perspective of Comparative Literature

明清时期,竹枝词中书写云南少数民族形象的题材、主题呈现出"异域"及族群想象倾向,文人以竹枝词的范式书写了云南少数民族生活细节、文化生态等。在比较文学视域下分析竹枝词中建构的云南少数民族形象,可以了解书写者对异己的书写策略、书写心态与文化认同,并探索竹枝词文人如何运用寓居、游记、追忆的滇地体验书写云南少数民族形象及深层文化意蕴。竹枝词中云南少数民族形象的书写,不仅记录了儒家文化与少数民族文化的交流,同时也彰显了文人借由云南少数民族形象的竹枝词书写,对跨文化交流中的社会集体想象物的构筑,体现了一种自觉的身份认同,可更好地认识异质文化间的少数民族形象。

During the Ming and Qing Dynasties, Zhuzhici writing Yunnan minorities had exotic and ethnic collective tendency in the contents and subjects. Intellectuals described the life and culture of Yunnan minority peoples in Zhuzhici. An analysis of the ethnic image of Yunnan minority peoples in Zhuzhici in the perspective of comparative literature will be of help to understand the writers＇ strategy of writing the others, psychology and cultural iden- tity and to reveal how the writers represents the ethnic images and deep culture in Yunnan by applying their living, travelling, and recalling their experience in Yunnan. The writing of the minority peoples in Yunnan in Zhuzhici deeply influenced by the cultural communi- cation between Confucianism and minority culture is the intellectuals＇ collective imagination of transcultural communication and an effort of conscious self-identification.