略论《聊斋俚曲》语言的形式美

On the Form Beauty of Language in Liao Zhai Popular Tunes

艺术的形式美历来是艺术家刻意追求的目标。文学是语言的艺术,文学家对语言形式美的追求无疑成为了天然的需要。而《聊斋俚曲》作为我国清代著名文学家蒲松龄除《聊斋志异》之外的又一力作,且是著名的俗文学作品,对语言形式美的追求格外引人注目。文学语言的形式美主要体现在三个审美范畴:节奏美、色彩美、造型美。结合语言要素分析的语言形式美主要体现在语言的节奏韵律、声调抑扬、句式选用以及修辞格式的运用等方面。蒲松龄《聊斋俚曲》通过特定的语言组织,集中体现了语言形式的整齐美和参差美的特点。

The form beauty of art has always been the goal deliberately pursued by artists. Literature is the art of language, and the pursuit of men of letters for the form beauty has undoubtedly become a natural need. And Liao Zhai Popular Tunes is, beside Strange Stories from a Chinese Studio, another masterpiece by Pu Songling, a famous writer in the Qing Dynasty in China, and also a famous popular literary work ; its pursuit for the form beauty of language is particularly captivating. The form beauty of language in literature is embodied mainly in three aesthetic categories ： the beauty of rhythm, beauty of color, and beauty of modeling. The form beauty of language combined with factor analysis is mainly reflected in language rhythm and rhyme, tonal modulation, selection of sentence patterns and the use of the rhetorical format. Through a specific organization of language, Pu Songling＇ s Liao Zhai Popular Tunes focuses on reflecting the characteristics of the beauty of evenness and the beauty of unevenness of language forms.