文风嬗变、语言转换与文学史评价——论杨逵光复后的中文创作

The Evolution of Writing Style,Language Conversion and the Evaluation of Literary History——On the Creation of Chinese after the Recovery of Taiwan by Yang kuei

台湾作家杨逵在日据时代以日语进行创作,获得了巨大成功;台湾光复后作家开始尝试转入中文继续创作。从研究现状而言,杨逵早年的日语创作时期被视为更能代表作家成就的文学阶段,光复后杨逵的中文创作、语言转换的价值意义未能得到充分挖掘。通过分析作家光复后文风的嬗变情况,可以发现其由"金刚怒目"转向"菩萨低眉",是与作家自日语转向中文的语言转换轨迹吻合的。作家光复后中文"中介语"的创作状态,不仅影响了作家创作技巧,更重塑了作家的创作文化心理。杨逵光复后中文创作的文学史意义,应当被纳入语言转换经验视阈中加以重审。

Yang Kuei, a Taiwan writer, achieved a great success in literary creation in Japanese during the Japanese occu- pation of Taiwan. The writer began to continue his creation by trying writing in Chinese. We can know from the current re- search that Yang Kuei＇s early Japanese creation is regarded as a literary phase that can represent the writer＇s literary achieve- ment more than any other phase. In fact, the value of Yang Kuei＇s late Chinese writing and language conversion has not been fully tapped. On the other hand, based on the detailed analysis of the evolution of his writing style ever since the recovery, we may also see that the writing state of ＂interlanguage＂ in Chinese in his late writing not only affects the writing skills, but also re-moulds his creative cultural psychology. Therefore, the significance of his creation of literary history in Chinese after the re- covery should be included in the perspective of the language conversion experience and be thus re-evaluated.