鲁迅与林风眠美术交集考论

The Art Overlaps of Lu Xun and Lin Fengmian

西方艺术思想在中国的传播是从鸦片战争以后开始的。至1919年的五四运动,中国美术界发生了一场重大变革。从新美学思想的兴起到美术院校的创立与发展,民国时期的美术从理论到实践都发生了飞跃发展。在蔡元培美育思想的启导下,林风眠成为中国现代美术教育和现代绘画的奠基人;作为文学家和思想家的鲁迅在中国美术教育中也做出过杰出的贡献,成为中国现代版画的奠基人。鲁迅与林风眠曾有三次交集,本文考察并论述他们在同一时代个人关系的交集,以及在美术革命中分别所起的作用,并比较二人在美术思想上的异同。

The western art thought has been spreading in China since the opium war and there came a revolution of Chinese art after the May 4th movement in 1919. Both the art theory and practice in the period of the Republic of China had made a great development in the aspects of the springing up of new aesthetic theory and the establishment of fine art colleges. Enlightened by Cai Yuanpei＇s aesthetic education thought, Lin Fengmian became the founder of Chinese modern art education and modern painting, while Lu Xun as a litterateur and thinker also became the founder of Chinese modern engraving for his outstanding contribution to Chinese art education. According to the records, Lu Xun and Lin Fengmian had been associated with each other for three times in art history. The paper makes a study on the overlaps of Lu and Lin＇s personal relationship at the same time and their significance to the art revolution as well as the similarities and differences of the art thoughts.