摘要
小山遗址尊形器上的刻画动物形图案主体元素鹿、野猪和禽鸟均是牺牲之物,而祭祀之神应为蟒蛇;南台地遗址出现了蟒蛇吞噬鹿的全景画,从吞噬鹿头开始,到鹿脚再到完全吞噬整只鹿,栩栩如生。蟒蛇为祭祀之神,鹿是牺牲之物在赵宝沟遗址尊形器图案上也有所表现,这与本地区生态环境密切相关。对蟒蛇的畏惧之祭表明了赵宝沟文化时期人类理性化的需要。这种需要是延续兴隆洼文化以来的渔猎传统的必然产物,也是辽西地区多丘陵、山地这种特殊的自然环境造就的必然结果。
The main elements of the animal patterns on the Zun shaped implements unearthed from Xi- aoshan sites include deer, wild boars and birds, etc, which were preys in the ancient time; while the Gods for sacrifice should have been boas. A whole picture about boas swallowing deer was unearthed from the Nantaidi sites, which is also reflected from the patterns on the Zun shaped implements unearthed from Zhaobaogou sites. The sacrifice of boas reflects the rational need of the humans living in Zhaobaogou Cul- tural period. This kind of need had been the inevitable products of traditional fishing and hunting since the period of Xinglongwa Culture as well as the inevitable result of the special natural environment character- ized as hilliness and mountains.
出处
《辽宁师范大学学报(社会科学版)》
2017年第3期128-132,共5页
Journal of Liaoning Normal University(Social Science Edition)
基金
内蒙古哲学社会科学规划基金项目"辽西地区新石器时代陶器纹饰研究"(2016NDB078)
辽宁省大学生校外实践教育基地--辽海考古实践教育基地(10165201502)
关键词
赵宝沟文化
尊形器
动物形图案
Zhaobaogou culture
zun shaped implement
animal pattern