艺术家的可能性及其当代范例——以韩美林艺术创作为个案

The Possibilities of Artists and the Contemporary Example:A Case Study of Han Meilin's Artistic Creation

韩美林艺术大展提出艺术家的可能性问题。其艺术创作体现以视觉为主而又实现多门类和多媒介交融,古今中西雅俗纯实等多重价值打通,跨地域、跨性别、跨族群的普遍人道精神,亦儒亦道亦禅的外圆内方的文人心态等特点。这应主要来自于他以陶瓷创作为基础而生发的对整个中国古典艺术家传统及其精神的传承,更与中国艺术心灵传统自身在其民间艺术心灵层面的涵濡相关,在当代是要重新服务于中国艺术心灵或艺术精神本身内含的"藏修息游"等多维度交融的需要。得益于中央工艺美术学院以艺术门类贯通性和实际生活装饰性为特征的学院艺术生态,韩美林方能以陶瓷艺术为基业而涵濡成绘画、雕塑、书法和装饰等多门类贯通和富有装饰性和美化意向的艺术风格。韩美林艺术创作的目的应是与普通公民分享基于古典传统和民间智慧的实际生活美化方案并提供具有艺术公赏力的艺术品。当前有必要为韩美林式艺术家的新的生成和发展创造合适的社会文化生态。

The issue of the possibilities of artists was raised in the artistic exhibition of Han Meilin. Its artis- tic creation is based on vision while it also incorporated diverse genres of arts and multi - media. It broke through the boundaries of values between ancient and present, and the West and China and, crossed the uni- versal humanity spirits of different areas, genders and ethnic groups. In addition, it also showed the mentali- ty of literati of ＂round outside and square inside＂, mixing Confucianism, Taoism and Buddhism. These re- suits reflect the transmission of the whole Chinese classical artistic tradition and spirits Han developed during his creation based on the ceramics. Furthermore, these are related to the enculturation of the Chinese artistic mental tradition in the folk artistic mentality. Consequently, these issues have to suffice the requirement of the multi,-dimensional interaction of ＂concentrating on study （Cang Xiu Xi You）＂ which is embedded in the Chinese artistic minds or artistic spirits. Thanks to the academic artistic ecology featured by the connec- tivity of artistic genres and the decorative attribute in practical life in Central Academy of Art and Design, Han Meilin was able to extend his art in ceramics to painting, sculpture, calligraphy, decoration and other artistic styles with decorative and aesthetic implications. The purpose of Han Meilin＇s artistic creation was to share with the general public with the practical beautifying approaches in life based on the classical tradition and folk wisdom and to provide art works with artistic public appreciation. It is necessary nowadays to pro- vide Han Meilin -like artists with suitable social cultural ecology for theird evelopment.