摘要
进入新世纪后,孙颖在北京舞蹈学院设立"汉唐古典舞"专业后开始了教学实践,与此同时更是全面而系统地申说自己的"古典"主张。首先,他提出中国古典舞应提取各个时代的优长——汉的宏放、唐的圆熟、清的精细,混成一个新面目;其次,他认为古典舞教材几乎可以说就是京、昆武剧的"起霸";第三,他强调中国古典舞形式、审美、风格、气质的一元化。对此,笔者比较着孙颖的"破"与"立"之道明确提出自己的不同看法,对以上观点给予评述。
In the new century, Sun Ying established the "Han - Tang Classical Dance" major in Beijing Dancing School and began his pedagogical practice. At the same time, he carried out his "classical" propo- sition comprehensively and systematically. Firstly, he proposed that Chinese classical dance should absorb the advantages in every period of time : the magnificence in the Han Dynasty, maturity in the Tang Dynasty, elegance in the Qing Dynasty, mixing these together to form a new image. Secondly, he thought that the classical dancing textbook can be regarded as the preparation for the acrobatic fighting in Peking Opera and Kunqu Opera. Thirdly, he emphasized the unity of the form, aesthetics, style and spirit of Chinese classical dance. The author proposes different opinions on the de - constructive and constructive views of Sun Ying and comments on the abovementioned opinions.
出处
《民族艺术研究》
2017年第2期117-126,共10页
Ethnic Art Studies
关键词
中国古典舞
汉唐古典舞
戏曲舞蹈
京昆舞蹈
继承观
发展观
Chinese classical dance, Han- Tang classical dance, opera dance, Peking Opera and Kunqudance, view on transmission, view on development