脱离与沉浸——舞蹈剧场中前沿科技创作观念探索

Extraction and Immersion: Exploration of the Notion of Frontier Technological Creation in the Dancing Theatre

编舞家们以新技术探索身体的感知方式,电脑工程师以舞蹈作为连接和打通所有艺术的钥匙。身体在剧场科技中将获得新的形态?技术如何完成自身开发,产生意义;身体如何与新技术共处?艺术家对于新技术的态度,以及他们的创作探索将舞蹈拓展到身体艺术的整体观念,甚至重验舞蹈自身的艺术规律和动作原则。未来的剧场是否因为前沿科技的运用,人不再成为表演的主体?人将身体和动作的原则以技术化的方式,促使整个剧场环境成为"合成"的表演者。编舞家和数字艺术家在使用新技术时所呈现的创作观念和宣言,也是21世纪艺术家们在重新思考艺术边界和创作者身份时面临的责任和挑战。

The choreographers use new technology to explore the sensing methods of human body, and the computer engineers use dance as a key to connect and relate all arts. Will the body acquire new forms in the theatre equipped with science and technology？ How will technology develop itself and make meanings？ How will the body co -exist with new technology？ What are the attitude artists have on the new technology, as well as their creative exploration which extend dance to a holistic notion of bodily art, even re - verify the ar- tistic rule and action principle of dance？ Will human no longer be the subject of performance in the future because of the use of frontier technology in the theatre？ People use the principle of body and action in the manner of technology so as to make the theatrical environment as a ＂synthesized＂ performer. The creative concepts and manifesto that are displayed by choreographers and digital artists when they are using the new technologies can be seen as responsibilities and challenges the artists in the 21^st century face when they re- think the artistic boundary and the identity of being a creator.