朝鲜民族跨界音乐研究现状

Current Study of the Trans-boundary Music of Korean Nationality

从审视民族音乐学跨界研究的已有整体成果和价值看,针对"朝鲜民族"的跨界音乐研究力度还比较薄弱。文章以"朝鲜民族""朝鲜民族音乐""跨界"为研究界线,以"事实研究方向"为划分依据,从朝鲜民族"宫廷音乐""民间音乐""宗教音乐""近现代音乐""离散族群音乐"五个方面对该领域的跨界研究进行综述研究,从"音乐描述中的分类不明""音乐解释中的模式化""音乐描述和音乐解释脱离"三个方面对其研究现状、存在的问题与价值进行总结、界论,并提出建议——在跨界民族音乐研究中树立"跨界民族音乐分类学"的意识。

Reflecting on the existing results and values of the trans - boundary study of ethnic musicology, the study of trans - boundary music of ＂Korean nationality＂ is still weak. This paper is demarcated by ＂Ko- rean nationality＂, ＂Korean ethnic music＂ and ＂trans- boundary＂. It is based on ＂factual research direc- tion＂, and it studied the trans - boundary from the aspects of Korean ＂courtyard music＂, ＂folk music＂, ＂re- ligions music＂ ,＂ contemporary music＂ and ＂diaspora music＂. Furthermore, the paper concluded and dis- cussed the current research status, existing problems and values from the aspects of ＂unclear classification of musical description＂, ＂stereotype in the musical interpretation＂ and ＂disconnection between musical de-scription and interpretation＂. Finally, author offers suggestion： establishing the awareness of ＂systematics of trans -boundary ethnic music＂ in the study of trans -boundary musicology.