摘要
在文化和价值观多元化的现代社会,吸血鬼故事无论是人物形象还是场景,都对传统有很大的颠覆性,在古老传说的基础上融入了创作者个人解读和创意。吸血鬼题材作为哥特式作品的一个分支,有一些相似的叙述特点:叙事气氛的哥特式和浪漫主义相结合,人物叙事的颠覆性和反传统性(吸血鬼非人类,但当它们成为叙事文本的核心时,权以叙事学的"人物"一词指代,但是仅仅是从叙事学层面),叙事情节的复杂性和叙事场景的虚幻性。
In the modem multi-culture and multi-value society, the stories of vampire are very disruptive to the tra- dition; it combines personal explanation and creation of the writers on the basis of old legends. As one branch of gothic novels, vampire stories share some similarities with other novels, including the combination of gothic narra- tive atmosphere and romance, overturning and anti - tradition of personal narration ( vampires are not human, but when they become the centre of narration, it might as well to refer them as character, but only in terms of narra- tion), complexity of narrative plots and invisibility of narrative settings.
出处
《漯河职业技术学院学报》
2017年第3期39-41,共3页
Journal of Luohe Vocational Technical College
关键词
吸血鬼
叙事气氛
人物叙事
叙事情节
叙事场景
vampire
narrative atmosphere
character narration
narrative plot
narrative setting