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浅谈欧阳修诗学理论的艺术境界

Comment on the Poem Theory by Ouyang Xiu
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摘要 欧阳修领导了宋代诗文革新运动,奠定了宋一代文体和诗风。在诗歌理论思想方面,他继承了前人诗歌理论思想,尤其是韩愈的理论观,针对当朝"穷妍极态、淫巧侈丽"的恶劣诗风,提出了"穷而后工"的理论观点,主张诗歌要美刺劝戒,触事感物;要"诗穷而后工";要重"道"养"根",在艺术风格上讲求多样化风格交响与共鸣,追寻铿锵有力的艺术境界。 Ouyang Xiu was the leader of New Poem Movement in Song Dynasty and started a new style and currency of poems. His poem theory was from the tradition, especially from that of Han Yu in Tang Dynasty. At that time, the poem style of "fancy words" was popular, he put forward that "Only was the writer experienced, he could treat good workers", and he argued that poems should have the morilization function of criticizing and dissuading and put emphasis on the moral to keep the base of poem. As to the style, he insisted on the co--working of various elements and the sake of expression's forcefulness
作者 王伟 WANG Wei(Humanity and Society Department of Armed Police University, Chengdu Sichuan 610213, China)
出处 《四川文理学院学报》 2017年第3期105-108,共4页 Sichuan University of Arts and Science Journal
关键词 欧阳修 诗歌理论 艺术境界 Onyang Xiu poem theory art ambit
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