后现代视野下王家卫电影的叙事风格

The Narrative Style of Wong Karwai's Films from the Perspective of Postmodernism

王家卫的电影在华语影视界呈现了独特的风格,他的电影获得了多项大奖,在业内赢得了广泛认可。王家卫的电影给了华语影视一个全新视角。王家卫电影的叙事特色可用"支离破碎"来形容,"支离破碎"成为王家卫电影的代名词。王家卫电影在创作上根植在后现代语境中,深刻揭示当下香港人状态,电影在意蕴的层面有了明显的时代特征和人文情怀。王家卫电影在叙事策略上明显带有后现代主义的特点。这与王家卫自身的文化背景、创作理念、艺术风格息息相关。王家卫的电影突显的则是后现代语境下都市人群的情感危机。在王家卫的电影里,空间有了灵性,有了人的情绪变化,有了人的情感体现,影片里的空间有了感性的细胞,多了生活的象征意义。王家卫的电影作品善于处理细节,特别是在情节的处理上,通常在处理私密、孤独与困惑的感情问题时,他的电影也倾向通过光影与语言寓意表现而非明显对抗化。在电影情节的设计上,王家卫把对根、对亲情、对生命的寻找置于人情冷漠的大都会中,在电影时空转换的无序中变成了人的内心漂泊的独特表现方式。

Wong Karwai＇s film featured the unique styles in Chinese film and television industry. He won many awards and got wide-spreading recognition. The narrative features oi Wong Kar Wai＇s films can be de-scribed as ＂fragmented＂,and ＂fragmentation＂ comes to be synonymous with his film s. He set the post-modern context as the root of creation,and profoundly revealed the present state of the Hongkong people. These films had the obvious characteristics of the times and the human feelings,and obvious characteristics of Postmodern-ism in narrative strategy. This is closely related to his own cultural background, creative ideas and artistic style. His films highlight the emotional crisis of the urban population in the postmodern context. In Wong＇s movie,the space has the s pir it,changing itself with human mood. Wong Karwai＇s movies focused on dealing with the details, especially them in the p lots, usually in private, loneliness and confused emotional problems. In movie design, Wong bui lt such metropolis, in which people attempted to find the roots, life, andaffection. Thedisorderof fi lm space conversion has become a unique expression of man＇s heart wandering.