历史视域下的文学史叙述——以洪子诚《中国当代文学史》为例

Narration of Literary History from Historical Perspective—— A Case Study of Hong Zicheng's History of Chinese Contemporary Literature

"文学"与"历史"的问题,历来是文学史家无法回避的问题。在新历史主义批评家看来,历史是由一系列文字话语构成的,是"非本质"的,历史是被叙述的,"文学史"是文学史家关于历史的叙述。洪子诚的《中国当代文学史》主张"返回""历史情境",以"一体化"的叙史方式展现当代文学"史"的风貌,完成当代人对"历史"的想象。以洪子诚的《中国当代文学史》为例,从洪子诚的历史观出发,反观他的文学史写作,探讨历史视域下新历史主义理论与他的文学史实践的契合之处以及考察"历史"在洪子诚的史著中是如何被展开叙述的,从而促进我们对90年代这种新的文学史书写范式的认识。

The relationship between literature and history has always been a problem that literary historians can,t a-void. In the view of the new historicists, history is composed of a series of discourse, which are non - essential, and history is narrated. History of Contemporary Chinese Literature advocates “return” to “historical context” ,u- ses “integration” to show the “history” style of contemporary literature and completes the imagination of uhistory^ by contemporary people. The author tries to take Hong Zicheng5 s History of Chinese Contemporary Literature as an example, according to his writing of literary history, starting from Hong Zicheng5 s view of history, discussing the connection between the new historicism theory and his literary history practice and how history is to be described, so as to promote our understanding of this new literary history of the 1990s writing paradigm.