女性救赎的虚妄——小说《那个人》女性主义视角分析

The Futility of Woman's Redemption——The Analysis of the Novel The Man from the Feminist Perspective

高长虹小说《那个人》在第一个叙事圈套里,通过对女性优伶、女艺术家"布满了悲苦"的现实生活的不幸遭遇的叙述,讲述了女性不幸的历史,针砭了男权社会和文化对女性的压迫和压抑,对女性不幸的遭遇表达出深深的同情,对男权社会和文化的虚伪与残忍进行了深刻的批判。在第二个故事叙述里,借小说家谢与同小说虚构的"花之女神",预设了女性冲破男权社会和文化的阴霾而获得救赎的"乌托邦"理想,而"乌托邦"的最后坍塌象征着女性救赎的虚妄。

In the first narrative trap,through the narration of the misfortune experiences in the real life of actresses andfemale artists, Gao Changhong not only tells women＇s unfortianate history but also criticizes women ＇ s suffering of the oppressionand inhibition by the patriarchal society and culture. In the second story, Gao Changhong borrows the “ goddess of flowers” in Xie Yutong ＇ s novel and designs the “ Utopia” ideality of women＇ s breaking through the haze of the patriarchal society and culture and getting salvation. But the final collapse of “ Utopia” implies the futility of women ＇ s redemption.