贵州省纳雍县歪梳苗服饰纹样的形式美

Formal aesthetics study on the clothing patterns of Waishu Miao nationality in Nayong,Guizhou

歪梳苗服饰纹样是歪梳苗妇女艺术思维和审美体验的物化形式,其实质是对现实和未来世界的一种精神寄托。文章基于织金县官寨乡、黔西县高锦、纳雍县猪场湾子寨及其他几个歪梳苗聚居村庄的实地调研,从歪梳苗服饰纹样的类型、分布与形式美等角度进行分析,概括出歪梳苗服饰的地域性风格特征,以及服饰主体纹样特征、边缘纹样特征和服饰纹样的对称与均衡、变化与统一、节奏与韵律等形式美特征。通过这些具有深厚民族文化底蕴的艺术形式研究,为歪梳苗服饰纹样的传承及其在现代设计中的运用奠定理论基础。

The clothing pattern ol Waishu Miao nationality is a kind ol materialized form ol Waishu Miao women about artistic thinking and aesthetic experience. Its essence is a kind of spiritual sustenance to the reality and the future. Based on the field investigation ol Guanzhai in Zhijin County, Gaojin in Qianxi County, Wanzi in Nayong County and several others congregate village of Waishu Miao nationality, this paper analyzes the clothing patterns from the perspective of type,distribution and formal aesthetics,summarizes the regional style characteristics of the clothing, principal pattern, periphery pattern and formal aesthetics such as symmetry and balance,change and u n ity,rhythm and cadence. The study on the above art form with profound national culture background lays the theoretical foundation for inheritance of the clothing patter and its application in the modern design.