在传统和现代之间——论当代中国服装设计

BETWEEN TRADITION AND MODERNITY-ON CONTEMPORARY CHINESE FASHION DESIGN

在世界经济一体化、时尚产业国际化的今天,中国的服装设计如何既能毫无障碍地与世界对话,又能有自己的风格,是很多人都在探讨的问题。目前虽然有不少华人设计师在走风格化很强的私人定制路线,但始终没有像三宅一生、川保久玲那样的国际知名度高,本土化风格强,消费者喜爱的服装品牌。中国服装设计该如何发展,设计师应该具有什么样的知识结构和国际格局,本文尝试从传统和现代结合的方面,为服装设计建言。

Nowadays, with the integration of the world economy and the globalization of fashion industry, the question that how can the Chinese fashion design follow the world trends, while keeping its own style, has always been a hot issue. In China, although many designers are looking for a more exclusive personalized fashion style, there is no famous international designer like Issey Miyake and Rei Kawakubo, whose apparel brands show strong native styles. How to develop the Chinese fashion design, and what knowledge system and international perspective should Chinese designers have, are the main important questions that we should consider. The author in this thesis tries to raise some suggestions about Chinese fashion design from the aspect of integration of tradition and modernity.