婚姻遭际与清代女性创作风格的转变及其原因

The Changes and Causes of Female Creation Styles in Qing Dynasty

清代女性创作多以婚姻为界,未嫁时其文风清新活泼;成婚后则累于俗务,风格一变,或沉重艰辛、或凄清枯寂、或超脱放任。在这些女性的创作活动中,鲜明地体现出依赖性、临时性、边缘性、个人化的特征。其成因从文化角度来看,一是男女双方共同营造的强大的道德束缚,二是主流文化对女性创作的离异感大于认同。

The women creation style in Qing dynasty puts the marriage as a boundary. The crea-tion style of unmarried women is fresh and lively; but after the wedding, the previous styles usuallychange because of domestic mundane. The creative activities of these women, vividly reflects the de-pendencies, temporary, borderline, personalized features which is caused, from the cultural perspec-tive, by the moral constraints shared by husband and wife. Moreover, it is due partly to the prejudicefrom mainstream culture as to female creation efforts.