“消费日本”与英雄空间的解构

“Consuming Japan” and the Deconstruction of the Heroic Space

无论是游日期间的购物消费还是对抗日影视作品的观赏,都可称为消费日本现象。消费日本是别现代时期中国消费文化的奇葩,它是现代、前现代、后现代相互交集纠葛的产物。消费日本现象中的英雄消费实际上是观众对自己的消费,反映出现代英雄脱魅后借助后现代艺术手法对于前现代神武英雄的复魅。这种复魅所带来的英雄盛筵只能制造既非现代、又非前现代、也非后现代的欢乐神话。不断复制的欢乐神话是对英雄和崇高的解构。而别现代主义的使命却是要在英雄空间的解构中超越别现代英雄和英雄空间,创造后现代之后的英雄和英雄空间。

Shopping on a trip to Japan as well as the consumption of anti-Japanese films and television episodes can both be viewed as consumption of Japan.The consumption of Japan is an exotic flower in Chinese consumer culture in the Bie-modern(different-modern)era.It is a product of the intertwined modern,premodern and postmodern conditions.The consumption of the hero,an example in this phenomenon,is actually the audience’s consumption of themselves,which reflects a re-enchantment of the premodern god-heroes by way of postmodern art techniques after the heroes have been disenchanted in the modern era.The heroic feasts brought about by this kind of re-enchantment can only produce a joyful myth that is neither modern,nor premodern,nor postmodern.The constant reproduction of the myth of joy is a deconstruction of heroes and the lofty.The mission of Bie-modernism is to transcend Bie-modern heroes and heroic spaces in the deconstruction of heroic space,creating heroes and heroic space after postmodernism.