摘要
汉代审美文化体制的建构深受儒家"大一统"观念的影响。国家文化中心的形成意味着对于藩国地域文化的"一统",建立起以中央朝廷为中心的文化生产、传递、奖励机制,标志着与"一统"的政治局面相适应的文化秩序开始形成。而作为国家文化机构,乐府的重建意味着两种意义的"一统",体现了儒家"王官采诗""王者功成作乐"的政治/文化理念。国家文化中心、文化机构的形成,对汉代审美文化施与积极的体制建构作用。
In Han Dynasty, the construction of aesthetical culture system was deeply influenced by Confucian idea of Great Unity. The formation of national cultural center meant not only the unity of vassal's regional culture, but also the construction of cultural production mechanism, transmission mechanism and reward mechanism. Then the cultural order adapted to the political situation of unity began to form. As national cultural institution, the reconstruction of Yuefu meant two meanings of unity, and embodied Confucian political-cultural idea of Poem-collection by Classical Scholars, and Music by Successful King. The formation of national cultural center and national cultural institution affected the systematic construction of aesthetical culture in Han Dynasty positively.
出处
《阜阳师范学院学报(社会科学版)》
2017年第2期1-6,共6页
Journal of Fuyang Normal University:Social Science Edition
基金
国家社科基金后期资助项目"早期儒家制度美学研究"(15FZW024)
关键词
大一统
汉代
政治秩序
文化秩序
乐府
Great Unity
Han Dynasty
political order
cultural order
Yuefu