摘要
在电视剧批评领域,人文批评话语的弱势地位由来已久。究其原因固然有许多方面,但是在日渐汹涌的资本和受众的共谋之下,人文批评对于电视剧的价值重估显得尤为迫切。通行的观点以为,对电视剧这一大众文化产品,文化批判才是知识分子表明立场的有效手段。然而,忽略审美在电视剧批评中的位置,却又使得生产和接受中的价值问题更加突出。人文批评与创作的关系是电视剧质量的保障,没有这一前提,电视剧沦为商业文化附庸的风险就始终存在。
Humanistic criticism discourse has been in a lower state for a long time in TV play criticism field. In the conspiracy between capital and the audiences, humanistic criticism becomes more and more significant and urgent for assessing the value of TV play. Generally speaking, as regards to the public cultural product, cultural criticism should be the efficient means for the intellectual to define his or her position. However, that people ignore aesthetics in TV play criticism make that the value problem in production and acceptance becomes more prominent. The relation be- tween humanistic criticism and creation is a quality guarantee for TV play. TV play will be reduced to be a commer- cial cultural dependency without this premise.
出处
《艺术百家》
CSSCI
北大核心
2017年第2期35-39,149,共6页
Hundred Schools In Arts