摘要
身体本身是生存的意义,首饰则是体验世界的身体装置。首饰因其与身体的密切关系,往往能与人的感官产生密切的互动。而识别、转译和组织对作品的感知和体验是理解作品的重要方式。本论文以当代首饰艺术家梅兰妮·毕莲可的作品为例,对创作者、观看者和佩戴者的观看视角和感知体验进行了分析,探讨作为身体延伸的当代首饰,如何辅助我们去观察、体验和革新我们对外部世界的认知。
Because of the close relationship between jewelry and the body, there are intimate interactions between jewelry works and human＇s perception. It is an important way to understand artworks by identifying, interpreting and organizing our perception and experience of artworks. Melanie Bilenker depicts the female body in a domestic environment, which is not only a celebration of the transient moments in her daily life, but also a temptation of senses. By applying Maurice Merleau-Ponty＇s theory in Phenomenology of Perception, I explore how Bilenker perceives her life, how she interprets her thoughts into jewelry, and how her works enrich and recast the viewer＇s and wearer＇s perception.
出处
《设计》
2017年第10期98-99,共2页
Design
