满汉文学传统的化育——路地“以俗为雅”的诗学选择

The Combination of the Manchu and Han Literature Tradition——Lu Di's Poetic Choice of “Elegance in the Secular”

路地选择"以俗为雅"为其诗学的美学追求。其"小诗"理念,与民间俗文化"大道至简"的审美观暗合。而"小诗"中的微观元素诸如象、境、韵、体也被其表征为"俗物""凡境""合辙韵""民间文艺体"。但通俗表象充当的只是畅情达意的前提或是通向雅致的过渡。路地真正追求的乃是"以俗为雅",或说"化俗为雅"。通过哲思的贯注、思理融入伦理、心灵真光的照耀,路地营建了理趣、德趣、灵趣交织的雅境。这种俗象加雅蕴、"以俗为雅""雅俗共赏"的诗艺取向,既是"宋诗美学"的延续,又是满族俗文学的延伸,是满汉文学传统共同化育的结果。

Lu Di introduces ＂elegance in the secular＂ as his aesthetic pursuit in poetics. His ＂minor poem＂ concept corresponds with＇ the aesthetic idea in folk culture that ＂great daoism dwells in simplicity＂. His micro-elements in the ＂poem＂, such as the image, the artistic conception, the rhyme and the style, are secularized as ＂secular matters secular contexts popular rhyme＂ and ＂folk style＂ ; hut the superficially secular is only a premise to express feelings or a transition to elegance. Lu pursues ＂elegance in the secular＂ or to ＂change the secular into the elegant＂. He has created an elegant poetic atmosphere full of rational, moral and spiritual delight. His poetic style of ＂elegance in the secular＂ or ＂the harmonious co-existence of the elegant and the secular＂ shows the inheritance of poetic aesthetics in Song Dynasty and the development of Manchu Vulgar literature, hence a perfect fusion of Manchu and Han Literature.