摘要
马克思被誉为哲学、经济学以及艺术学的集大成者,其诸多理论和实践成果都对后世产生了非常深远的影响。例如在艺术造诣方面,他的《1884年经济学哲学手稿》这部著作将人类在社会实践中所生成的形式感觉上升到"美的规律"的高度,提出和阐述了"人也按照美的规律来构造",并将"美的规律融合到现世造物、实践过程中"等著名观点。这些观点已然成为现代艺术设计与价值审美的衡量标准和实践参照。以上述观点为基础,分别从"美的规律"与人的本质、"美的规律"与形式感觉的生成和"美的规律"对现代(设计)艺术的影响三方面,就马克思"美的规律"的相关内容展开论述,旨在提升人类现代设计的审美能力和美学价值评判标准。
Marx is known as a synthsizer of philosophy, economy and art, and his many theoretical and practical achievements have had a very far-reaching impact on later generations. For instance, in terms of artistic attainments, his Economic and Philosophic Manuscripts in 1884 will be in human practice in the form of social feeling rose to the "beauty of the law" height, it advocates the "people also in accordance with the law of the United States to shape" famous point of view, and proposes the famous viewpoint of " its integration the theory of beauty into the world of creation and the process of practice. " These viewpoints have become a modern art design and value of aesthetic standards of measurement and practice reference. On the basis of the above-mentioned points of view, this paper focuses on the three aspects of "the law of heauty" and the essence of man, the law of beauty and the formation of formal feeling and the influence of "beauty law" on modern (design). The author tries to discuss the aesthetic ability and the aesthetic value of the modern design of human beings.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2017年第3期38-42,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
辽宁省教育科学"十三五"规划2016年度高校毕业生就业创业研究专项一般课题(JG16ZXJYB001)
辽宁省高等教育学会"十三五"规划高教研究一般课题(GHYB160154)