摘要
曹保平导演的新作《追凶者也》仍可归类于悬疑警匪片,与其前作相比,异趣明显。除了尝试喜剧化风格外,影片在叙事视角上兼顾全知视角与限知视角,叙事手法上呈现明显的"互文"色彩:借鉴融合中外犯罪悬疑影片的情节结构安排,在人物形象定位上既本土化,也有"洋"化特质。
The new work of Director Cao Baoping,Cock and Bull,is still a suspense gangster film. Comparing with his previous works,this movie shows special taste of art. Apart from employing comedy style,this movie combines omniscient perspective and limited perspective,revealing an obvious inter-textual narration. Its plot structure is based on Chinese and foreign suspense crime film,and characters are shaped with both local and foreign qualities.
出处
《枣庄学院学报》
2017年第3期62-65,共4页
Journal of Zaozhuang University
基金
教育部人文社会科学研究规划基金项目"1979年以来中国电影的文学性研究"(项目编号:15YJAZH004)
关键词
追凶者也
叙事视角
互补
叙事手法
互文
Cock and Bull
narration perspective
complementary
narrative strategy
inter-textual