“文学审美特征论”:童庆炳文艺美学思想述评

A Critical Survey of Tong Qingbing's Literary Aesthetics

童庆炳的"文学审美特征论",有历史的特殊语境和理论资源,有自己的独特思考和重要创新,有现实问题的关切与回应,是20世纪80年代至90年代中国文艺理论领域主流话语之一。本文以《童庆炳文集》十卷本为主要依据,着力梳理童庆炳"文学审美特征论"的缘起、表述及要素,剖析童庆炳"审美"概念的多重涵义、"审美意识形态"的整体内涵及其在文本中的表现形态,旁涉童庆炳对本质论的坚守及其"美是价值"、"美在关系"、艺术美源于"形式对内容的征服"为代表的美本质论,对全面、准确理解童庆炳文艺美学思想及其历史地位具有重要的参考价值。

Tong Qingbings literary aesthetic is characterized by one of the mainstream discourses of Chinese literary theory in the 1980s and 1990s,in which there is a special historical context and theoretical resources,his own unique thinking and important innovation and practical issues of concern and response.This essay is written based on the ten volumes of Collected Works of Tong Qingbing and tries to sort out the origin,expression and elements of Tongs literary aesthetic characteristic and to analyze the multiple connotations of his aesthetic theory,the overall connotation and manifestation of aesthetic ideas in his work.This article also relates to Tongs adherence to the theory of nature and the value of beauty:Beauty to him is in the relationship,and the beauty of art is from the form of the conquest of the content as the representative of the theory of aesthetic essence.This has certain reference value for us to comprehensively and accurately understand Tongs literary esthetic thought and its historical position.