刘熙载《艺概》以声为中心的主要概念

Main Concepts of Taking Sound as the Center of Liu Xizai's Yigai

刘熙载《艺概》有较多涉及诗声的命题。从诵与歌的区分上看,诵侧重在意义,歌重在声情。诵与歌是不同文体的表现方式,歌有较多虚词或结语,诵则更庄重且用词更简练。从乐府之声与古诗之声区别上看,乐府为歌、古诗歌诵兼有,乐府与古诗有不同的声音系统。言出于声与声出于言的前提是乐歌,表达了两种文学体裁的不同创作方式,是语言中心论与声调中心论的表现。

Liu Xizai＇s Yigai had many propositions involved poetry-sound. From the distinction between “ Song” and “ Ge”, Song mainly focused on meaning while Ge mainly focused on Shengqing . Song and Ge were manifestation modes of va-rious styles,but “ Ge” had more function words or conclusions and “ Song” was more solemn and had more concise words. From the distinction of ancient poetry’s sound and Yuefu’ s sound,“ Yuefu” was “ Ge” and ancient poetry were “ Ge” or “ Song”. “ Yuefu” and ancient poetry had different sound system. The premise of words out of sounds and sounds out of words was “ Yuege”. They had expressed different ways of creation of two literary genres,being the performance of language center theory and tone center theory.