摘要
王逸《楚辞章句》的阐释原则总体上是经学的阐释方式,包括"以诗释骚""依诗取兴"。但是王逸在承袭传统经学文艺思想的同时,对"知人论世"的方法的重视,对《楚辞》的想象、铺陈等艺术手法的肯定,对文学本质、发生、功能等论题的涉及,又体现出了某些文学批评的特征。王逸还在对《楚辞》进行阐释的过程中一定程度上突破了经学文艺观的束缚,实现了自我超越。
The way of Wang Yi and his book annotating Chu Ci follows the thought of the study of the Confucian classics, in-cluding “annotating Li Sao by The Book of Songs” and “annotating Chu Ci with a metaphor according to The Book of Songs”. Wang Yi’s literary thought not only inherited traditional conception, but also included new ideas. He paid much attention to understanding Qu Yuan as well as the era he lived,revealed the artistic techniques of Chu Ci such as artistic imagination and described at great length, talking literary features including essence, occurrence, function, etc. Wang Yi broke the shackles when has followed the thought of the study of the Confucian classics. This reflected Wang Yi’s attempt to achieve the self- transcendence.
出处
《渭南师范学院学报》
2017年第11期67-73,共7页
Journal of Weinan Normal University
基金
国家社会科学规划基金西部项目:北朝文学思想史(13XZW006)
渭南师范学院人文社科类育苗项目:<论语>德育思想在高校辅导员工作中的运用(17SKM32)
关键词
楚辞
经学
阐释
比兴
文学批评
Chu Ci
study of the Confucian Classics
annotation
Bixing
literary criticism