摘要
本次研究主要分析让纳黑1900—1917年间与建筑学培养相关的四种角色:其家乡拉绍德封艺术学校的建筑学生、国际著名建筑师事务所学徒、建筑师旅行者,以及年轻的建筑实践者。让纳黑对建筑的理解和领会,直接成为了勒·柯布西耶重要的理念之源及其形式的理由。此时的他受工业化文化的洗礼,发出的声音更多的是勇敢地提问。虽然离想要的答案仍非常遥远,但让纳黑开始走向了"绝对"现代的建筑学阵营,表现出割裂的态度和变革的意愿。他有着强大的"自我"和"不现实"的特殊姿态,注定要超越拉绍德封的让纳黑及其地方文化圈。
This study mainly analyzes four roles of Charles-Edouard Jeanneret with regard to his training of architecture from 1900 to 1917: an architectural student of the La Chaux-de- Fonds Art School in his hometown, an apprentice of famous international architects' offices, an architect-traveler, and a young architectural practitioner. Jeanneret' s understanding and reflection of architecture directly became the source of ideas of Le Corbusier and reasons of forms of his works. During this period, he exposed himself to the industrialized culture, and raised questions as his main voice. Although he was very far away from his desired answers, he chose the camp of "absolute" modem architecture, and showed attitude of rupture and willingness of renovation. He had strong "ego" and special "unrealistic" posture, and was destined to go beyond Jeanneret of La Chaux- de-Fonds and his local cultural circle.
出处
《新建筑》
2017年第2期123-128,共6页
New Architecture
基金
中国博士后科学基金资助项目(2015M580722)
华南理工大学中央高校基本科研业务费资助项目(2015ZZ026)