摘要
《我们诞生在中国》通过拟人化手法,围绕爱、生命、生死等展开叙事,塑造了三个中国式的动物家庭,并以独特的艺术形式表达了生命轮回的主题,使得动物题材与人类情感深度融合,在满足了市场与受众要求的同时,作出了形而上层面的哲理思考。
Through personification, the documentary We were Born in China has developed its narration around love, life, birth and death. It has molded three animal families of Chinese pattern and expressed the life transmigration subject with the unique artistic form. This has achieved the deep integration between animal themes and human feeling. Further, while meeting the demand of the market and audience, it has made philosophical thinking at a metaphysical level,
出处
《内江师范学院学报》
2017年第5期138-141,共4页
Journal of Neijiang Normal University
关键词
《我们诞生在中国》
拟人化
生命轮回
艺术表达
We were Born in China
personification
life transmigration
artistic expression