摘要
从20世纪末至今的20余年间,中国人类学家和油画画家师生一直在联合探索绘画人类学的一些重要研究路径(这也是多年影视人类学研究的平行探索实践)。这支艺术研究团队的实践活动,从通常的人类学参与观察与文化诠释,发展到人际的、跨文化的、跨学科的与技法的深度理解与互动。其中,对绘画的人类学创意和人类学的绘画解读,以及文化、思维与哲学的绘画展示包含着何种概念活动,是他们探索与研究的要点。
For over 30 years since the end of last century, a Chinese anthropologist and his disciple, an oil painter, have been exploring some significant research paths of painting anthropology, which happens to parallel the author's exploration of visual anthropology over the years. This art research team has expanded their exploration from the common anthropological participant observation and cultural interpretation to deep understanding and interactionon the interpersonal, intercultural, interdisciplinary and technical levels. Their exploration and studies focus on the creation of the painting anthropology, the interpretation of anthropological paintingsand the conceptual activitiescontained in cultural, thinking and philosophical painting displays.
出处
《思想战线》
CSSCI
北大核心
2017年第3期1-9,共9页
Thinking
关键词
绘画人类学
主体性
艺术生成
人类学创意与解读
行动实验
跨文化跨学科研究
painting anthropology, subjectivity, art-making, anthropological creation and interpretation, action experiment, cross-cultural and interdisciplinary research