论郁达夫与王蒙笔下的“零余者”形象——以《沉沦》中的“他”与倪吾诚为例

Study on Yu Dafu and Wang Meng's “Remnant” Images

"多余人"形象从19世纪俄国文学中出现后就一直在不断发展。"五四"时期,郁达夫发展和丰富了"多余人"的形象,造就出了属于那一时代的"零余者";20世纪80年代,王蒙的《活动变人形》中的倪吾诚也丰富和发展了"零余者"形象,同时融合了20世纪现代中国知识分子的特点。不同时代的"零余者"有着不同的内涵和意义。

The image of ＂superfluous person＂ has been developing continuously since the emergence of Russian literature in the nineteenth century. During the period of the May 4th Movement, Yu Dafu developed and enriched the image of ＂superfluous people＂, and created a ＂spare person＂ that belonged to that era. In the 1980s, Wang Meng＇s Niwu Cheng in Activity changed to enrich and develop ＂spare person＂ While the fusion of the 20th century characteristics of modern Chinese intellectuals. Different times of ＂spare＂ have different connotations and meanings.