摘要
目的探索传统吉祥纹样在新中式家具设计中的运用方法。方法从平面装饰、造型、功能和传统纹样的立体转化4个方面展开,研究了传统吉祥纹样在新中式家具设计中的创新方法,阐述了传统纹样在新中式家具设计中的应用细节,并结合具体的设计实例进行验证。结论传统吉祥纹样是我国传统文化的缩影,家具是技术与艺术的统一。将传统吉祥纹样与新中式家具相结合,不能照搬与模仿传统纹样,必须进行纹样的再设计,才能达到新中式家具的创新设计,更加直观、形象地表现我国传统文化,进一步推动家具设计的发展。
It aims to explore the application of traditional auspicious patterns in the new Chinese furniture design methods. From the graphic decoration, style, function and patterns of the traditional three-dimensional into four aspects, it studies the innovation methods of traditional auspicious patterns in the new Chinese furniture design, expounds the ap- plication of traditional patterns in new Chinese style furniture design details, and combined with the specific design ex- ample for validation. The traditional auspicious patterns is a microcosm of traditional Chinese culture, and furniture is the unity of technology and art. The traditional auspicious patterns are combined with new Chinese style furniture, which can't copy and imitate the traditional pattern and pattern design again, must be conducted to achieve the innovation of the new Chinese furniture design, more intuitive, vividly to express our country traditional culture, to further promote the development of the culture.
出处
《包装工程》
CAS
北大核心
2017年第10期251-255,共5页
Packaging Engineering
关键词
传统
吉祥纹样
新中式
家具
创新
traditional
auspicious patterns
new Chinese style
furniture
innovation