川端康成《千只鹤》的创作手法及意义

On Writing Techniques and Significance in Yasunari Kawabata's One Thousand Cranes

川端康成在不断的小说探索中,突破新感觉派时期和模仿意识流时期,进入了一个新高度,在创作上传承日本传统古典学,并吸收西方现代文学的手法,形成了自己别具一格的创作手法。针对《千只鹤》的文本进行分析,研究川端康成在《千只鹤》中运用的创作手法及意义,共从物哀之美、母性崇拜文化及死亡意识三方面进行探讨。

Yasunari Kawabata, in his unceasing process of creative exploration, has reached a new height by breaking through the periods of new sensation school and imitation of consciousness stream. He inherits the traditional Japanese classics in his creation and absorbs the techniques of western modern literature, thus forming his own unique writing style. This article, targeting on Kawabata＇s One Thousand Cranes, mainly analyzes its text and explores the writing technique and significance in terms of the beauty of sorrow, the culture of maternal worship as well as the consciousness of death.