摘要
明清时期徽派风格《西厢记》在中国古代出版发行史上具有重要地位,其精美插画打开了视觉文化与出版文化的交流之门。本文就明清道释文化经典版刻《西厢记》插画风格特征及其在出版竞争中重要地位的确立进行分析,并就明清出版文化与视觉文化间的交流及对现代出版的启示进行探讨。
Ming and Qing Dynasties Huizhou style of "The West Chamber" has an important position in the history of ancient issue publication in China. Its fine illustration opened the exchanged door between the visual culture and publishing culture. In this paper, the Ming and Qing Taoist and Buddhist culture classic engraving "The West Chamber" illustration style characteristics and its important position in the publication had been analyzed, and the Enlightenment of Ming and Qing culture with exchanges to visual culture for modern publishing were discussed.
出处
《皖西学院学报》
2017年第2期150-152,156,共4页
Journal of West Anhui University
基金
安徽省教育厅高等学校省级优秀青年人才基金重点项目"徽州道释壁画宗教审美及其保护研究"(2013SQRW060ZD)
安徽省皖西学院2016年度教学研究项目(2016wxxy60)
关键词
道释文化
西厢记
徽派版刻
出版文化
视觉文化
Buddhism and Taoism culture
West Chamber
Huizhou engraving
publishing culture
visual culture