历史印记与文化确认——粤东客家人血泪“过番”与程贤章《挽水西流》

Historical Imprint Confirmed with Culture——Guangdong Hakka blood tears of “Going to Nanyang” and Cheng Xianzhang's Holding Water Flows West

明清以来,粤东客家人漂洋过海去谋生,是无奈之举。"过番谣"反映了客家人的这种心路历程及其泪痕。程贤章的《挽水西流》典型地反映了客家人为去南洋而抛妻别雏的悲惨境遇与诉苦、诉情和异地生活的情形,体现了客家华侨集体记忆在形成客家移民文化中的重要影响。它真实地反映了客家华侨在异国他乡生活创业的艰难历程,也从文化认同的视角重现客家华侨对故土文化的确认。

Since the Ming and Qing Dynasty, Guangdong Hakkas migrating to make a living was helpless behaviour. ＂Going to Nanyang＂ reflects this journey and staining of the Hakka. Cheng Xianzhang＇s ＂Holding Water Flows West＂ reflects the complaining, feeling of living in another place, and the important influence in the formation of the culture of Hakka immigrants. It truly reflects the Hakka overseas and hardships of entrepreneurship. From the perspective of cultural identity, native culture of Hakka overseas Chinese is to confirm again.