两种语言间的徘徊:现代藏族汉语诗歌的精神世界

Wandering between Two Languages:The Spiritual World of Modern Tibetan Chinese Poetry

在用汉语创作藏族诗歌时,由于语言的异质性,创作者往往会形成复杂的焦虑和矛盾意识,好像在民族文化和汉语文化之间徘徊游荡,如语言疏离和民族拥抱并存,即便是他者眼光审视也是表达对民族的挂怀,继承传统并进行新的文学意义创造等,各种思想意识共同建构成为藏族汉语诗歌的精神世界。从藏族汉语诗歌的语言文化徘徊到对民族文化及其他文化的释然和坦然以对,需要创作者坚定民族文化之根,重构民族文学意义,并通过文学探索实践来坚定文学信念。

In Chinese Tibetan poetry creation, due to the heterogeneity of language, the creators tend to form complex contradictions and anxiety consciousness, like between national culture and Chinese culture to wander, such as cuhural alienation and ethnic embrace coexist, even the other view is also on the expression of the nation＇s care, inherit the traditional and new the significance of literature creation, various ideological construct together become the spiritual world of Tibetan Chinese poetry. From the Tibetan Chinese poetry language and culture of wandering into the national culture and other cultures to calm and relieved, the firm needs the creator the root of national culture, the significance of reconstruction of ethnic literature, and through literature exploration and practice to the firm belief of literature.