“情采”的生成、演变与批评实践——基于《文心雕龙》的涵义考察

Generation,Development and Criticism Practice of “Qing and Cai”——A Semantic Perspective of The Carving Dragons

"情采"作为一个文化关键词在《文心雕龙》中被首次提出。刘勰在继承与发展"情""采"传统词义的基础上,将作为统一范畴的"情采"接引到儒家的"文质"系统中,对原系统进行创造性转义,并以"情采"为中心,勾连出全书"体大思精"的文论体系,形成了文学批评的基本范式,文学与文论创作、人格品评与文学鉴赏过程都被纳入其中。在刘勰的创作实践中,"情采"生产出刘勰的话语系统,话语系统的运作又促进了"情采"观的进一步完善。

The Category of ＂Qing and Cai＂ was first presented in The Carving Dragons as a unified Cultural Keyword. On tile basis of developing the traditional idea of ＂Qing and Cai＂, Liu Xie led the theory about this key- word into the system of Zhi and Wen and changed the cuhural connotation of the original system. Focusing on Qing and Cai, Liu Xie formed a complete and accurate literary theory system and created lots of basic paradigm. Liu Xie used this category to comment on literary works,theories and appreciation, as well as writers＇ person＇,dity. In his writing, this category led Liu Xie to the discourse of parallel prose and vice versa.