地域术:香港导演的“北上”之路——兼谈“港片已死”

Manipulating the Place:Hong Kong Director's Northward March to China's Mainland

CEPA实施已经超过十年,随着内地电影产业的快速发展,市场竞争越发激烈,内地与香港合拍片早年的"化内地"手法已经无法满足观众需求。近几年,"北上"的香港导演在经历了多次试错之后,开始逐渐地摸索出包括"去地域"、"粘地域"、"共地域"以及"再地域"等有效的"地域"策略,从而诞生了一些票房和口碑上都得到肯定的合拍作品。与此同时,"港片已死"的哀叹声不绝于耳,然则这一观点值得商榷。

CEPA has been implemented for more than ten years. With the rapid development of film indus- try and increasingly fierce competition in China's Mainland, the ＂translation＂ tactic employed by Hong Kong and Mainland co-production can no longer satisfy Mainland audience. During the past few years, Hong Kong direc- tors have gradually found out the following effective strategies through trial and error： ＂deterritorialization＂ ＂re- territorialization＂ ＂ trans-territorialization＂ and ＂co-territorialization＂. These ＂place＂ strategies have helped Hong Kong directors produce some good co-production. However, the concern that ＂Hong Kong films were dead＂ is still popular, which is open to discussion.