陀思妥耶夫斯基长篇小说中的世界信息图景——映像的结构与诗学(以《罪与罚》为例)

The World Information Picture in Dostoyevsky's Novels——Structure and Poetics of Reflections(Taking Crime and Punishment as an Example)

陀思妥耶夫斯基是最早将信息空间视为人的社会存在之最为重要的因素与产物的人之一,其作品呈现出信息空间的多样性与复杂性。陀思妥耶夫斯基在对信息对象和信息传播过程的描述及研究中,基于自己的发现创建了新的艺术手段与艺术形式。其小说的叙事结构与高度组织的信息空间直接相关。陀思妥耶夫斯基的主人公们持续活跃地进行着不同程度、不同目的的信息产品的创造、发展和分配。费·米·陀思妥耶夫斯基艺术地发现了信息现实并创建了独特的再现信息现实的诗学。在本文中,以长篇小说《罪与罚》为例来展现了陀思妥耶夫斯基艺术地再现信息现实的诗学特点。

F. M. Dostoevsky was one of the first to see the information space as the most important factor and the product of social existence of people, him His works demonstrated diversity and complexity of information space. In describing and examining the information objects and processes, Dostoevsky developed, on the basis of his findings, new artistic techniques and forms. The narrative structure of his novels is directly linked with the highly organized information space. Dostoevsky＇s heroes are continuously active in the process of creation, development and distribution of information products of varying degrees of complexity and purpose. In his novels F. M. Dostoyevsky made an artistic discovery of information reality and created special poetics reflecting information reality. This paper takes Crime and Punishment as an example to reveal Dostoyevsky＇ s poetic features in reproducing information reality.