山东笛乐特征探析——以曲祥笛乐艺术为例

Exploration of Characteristics of Bamboo Flute Music in Shandong: Exemplified with Qu Xiang's Bamboo Flute Music

在中国北方地区,竹笛多用于梆子戏、二人台等地方乐种的伴奏,演奏技术方面重视舌头的运用,音色较硬,有穿透力。曲祥在60年代就已成为家喻户晓的笛子名家,被誉为北派笛子风格的代表人物之一、山东笛派的创始人。他所创作的一批经典作品在国内外重大比赛及各大演出中至今仍广为沿用,时至今日,其作品中的技巧性和音乐性仍有很大的研究意义。本文以曲祥的竹笛艺术风格及山东笛乐流派作为研究对象,全面阐释曲祥笛乐艺术风格以及山东笛派对竹笛艺术发展的重要影响。

In northern China, bamboo flutes are commonly used to accompany banzi dramas and er＇rentai song-and-dance duet. The blowing techniques include the use of tongue, a harder tone, and more piercing power. Qu Xiang has been a well-known bamboo flute player since 1960s. He is seen as one of the representatives of bamboo flute North Trend, as well as the founder of Shandong bamboo flute school. Classic works created by him have all the way been used in important competitions and performances at home and abroad. Up to now, the techniques and musical features in his works are still worthy to research. This article focuses on the artistic style of Qu Xiang＇s bamboo flute and his Shandong school to interpret his artistic style and his essential influence to the development of Shandong bamboo flute.