传统文化的内自足与当代山水画创作题解

Inner Self-sufficiency of Traditional Culture and the Discussion on Contemporary Landscape Painting Creation

随着山水画在当代呈现多元化的繁荣发展,其引发的民族文化精神的失落,需要我们去反思,中国山水画古典审美内涵是民族精神的体现,是中华文化精髓的载体,在山水画千百年的发展中带有普遍性、延续性、本质性特征,同时又是深刻的、一贯的、稳定的范畴,从而规定着它在绘画中的属性和方向。本文从当代山水画所应具有的古典审美因素对当代山水画的文化精神价值体现和创新途径方面展开深入探讨,以阐明当代山水画创作中文化精神的体现。

With the diversified prosperity and development of landscape painting in modern times, it is necessary for us to re- flect the loss of national cultural spirit caused by it. The classical aesthetic connotation of Chinese landscape painting is not only the embodiment of the national spirit, but also the carrier of Chinese culture, which is characterized as universality, continuity and es- sentiality in the development of landscape painting for thousands of years. At the same time, it belongs to the profound, consistent and stable category, thus stipulating its attribute and direction in painting. Classical aesthetic factors of contemporary landscape painting on the embodiment of cultural spiritual value and innovative ways of contemporary landscape painting are deeply discussed in this paper in order to expound the embodiment of cultural spirit in contemporary landscape painting creation.