摘要
本文尝试将美国"青春片"的形塑与发展放置在一个漫长且复杂的社会文化语境、产业和美学图景中,分别从"作为历史的青春片""作为社会问题的青春片"以及"作为观看方式的青春片"三方面梳理美国青春片的演变,以期为中国当下青春电影的现实场景进行必要反思提供一种可能性参照。
The American teen film as a genre has been widely regarded as the ＂invention＂ of the 1950s, namely, the Hollywood response to the decline of film market. Moving beyond such conventional understandings from a linear perspective, this essay traces the changing modes of American teen films situated within longer historiographical and more complex contexts as well as industrial and aesthetical landscapes. As an effort in opening up possibilities for reflecting on the contemporary Chinese production of ＂teen films,＂ this essay foregrounds a critical lens shaped by three key aspects： teen film as （alternative） history, social problem （Intergenerational Economics）, and spectatorship.
出处
《电影艺术》
CSSCI
北大核心
2017年第3期20-27,共8页
Film Art
关键词
美国青春片
青年文化
类型电影
世代/代际
观看
teen film, youth culture, film genre, generation/inter-generation, spectatorship
