童年的消逝——对儿童电影“全龄化”的再读解

The Disappearance of Childhood: Reanalyze the Children's Films for All Ages

中国电影自产业化改革以来,儿童电影在"唯票房论"的影响下,急切提出了"全龄化"的生产创作模式。但是,对儿童电影"全龄化"的读解并不应是目前普遍所理解的试图在一部影片中满足不同年龄受众的接受需求。真正的"全龄化"仍需将目光锁定在"儿童",且离不开国家在政策方面的扶持和监管以保障儿童电影"寓教于乐"的事业和产业的双重属性。

This article will focus on the ＂all ages＂ production mode which have been prevalent among Chinese children＇s films due to the desire for the box office. However, the interpretion of ＂all ages＂should not be understood literally that one film should meet all different ages, on the contrary, we should make sure that the film are comfort to the children of different ages. The true ＂all ages＂ should aim at ＂children＂ still, what＇s more, to guarantee the public and industrial natures of children＇s films which can educate through lively activities, the country should give more support and regulation to policy.